Editor's Note by Satoshi KOGANEZAWA

In the exhibition room where a midget lamp lights up darkly, you can enter the case, too. In the exhibition room where textile was paved, you obtain one sheet of paper there. Extremely small characters are printed in it. I want you to read carefully because it reverses. In the first floor you arrive as so, there is something that floats fluttering on the midair. There is brilliantly the one to cut out the space, too, but those materials are not special. There are works using daily things scattered everywhere which completely change what we are used to seeing. Is the space of the Museum of Modern Art, Kamakura wide like this? The main building designed by Junzo Sakakurain in 1951 is not so wide if you see from the present vision. A part of the first floor is not used due to the problem of earthquake resistance. However, I feel the space so wide like this. It is due to the outstanding technique of space processing by Naito. Once you set foot in the exhibition room, you would be drawn into Naito's world.