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Stitch by Stitch: Traces I Made with Needle and Thread
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Published: September 21 2009

Ruriko MURAYAMA "Mantle” (2009); collection of Foever Museum of Contemporary Art, photo by Keizo Kioku, courtesy of YAMAMOTO GENDAI, copyright © Hiroki YAMAMOTO

The word “Stitch” in the exhibition title refers to the act of working in needle and thread. What does “stitches” mean to you? For many, what “stitches” calls to mind is handicrafts, needle art, or perhaps traditional embroidery or embroidery found on ethnic clothing. The work included in this exhibition will very likely confound those expectations.

The artists presented here have chosen needle and thread as the medium in which to fix their times and memories or to explore their inner selves, traced in lines quite distinct from those possible in oil paintings or drawings. To stitch is to build up a work by means of the stitch-by-stitch decisions through which the artist achieves self expression. Because these artists work in materials familiar to all of us, we can appreciate and empathize with the physical sensation of their work and the time and concentration they have poured into creating it. Stitch by stitch, these artists continually surprise us with their innovative means of expression and offer us the experience of a new joy in the act of seeing.

The setting for this exhibition, the Teien Art Museum, is especially significant, for each of the galleries in this museum, which was originally built as a private residence, retains its own character. The placement of these installations, through which the artists have raveled up their own creative worlds, in these distinctive galleries adds an extra dimension to the works.

* The text provided by Tokyo Metropolitan Teien Art Museum.

Last Updated on July 18 2009
 

Editor's Note by Satoshi KOGANEZAWA


I found a new initiative in this exhibition in that it was held as a “modern art exhibition” using the theme of “stitches”. Nevertheless, through this exhibition, I could enjoy looking at works from a wide variety of genres, although most of them had little emotional impact on me. The only exhibit that drew my attention was the “Guard's Stitching Works”, which was created by Tsunao Okumura. Below his stitching work and the photograph which was taken of the scene where it was created, a set of exhibits are displayed which give us various images of his workplace, such as his uniform, notebook, watch and stitching work which has been partially completed. In fact, the work is comparable in size to two facing pages of a paperback book, but the surface of the cloth on which he tenaciously made the “stitches” (the act of working using a needle and thread), gave me an overwhelming impression. This is a fine example of a remarkable artwork which attracts viewers regardless of the genre into which it has been classified by others, whether that is “modern art” or “stitching work ”. (Translated by Nozomi Nakayama)


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