author: Satoshi KOGANEZAWA 

published: Oct 28,2008

01/JUL/2008-15/SEP/2008
The National Museum of Art
Osaka
Exhibition of Chiharu Shiota (born in 1972 in Osaka) which has been prepared long enough for 3 years. Examine how much the exhibition layout was effective for showing Shioda's concept.

author: You GOSHIKI 

published: Oct 28,2008

20/OCT/2008-26/OCT/2008
GALERIE TAIMEI
Kitagawa who has already created an enormous number of artworks drawn in ballpoint
started to use another tool apart from the ballpoint - oil dermatograph. How did this change influence on her work?

author: Mika TAKIGUCHI 

published: Oct 14,2008

03/JUN/2008-21/JUL/2008
Shibuya City Shoto Museum
Tokyo
Among Michisei Kono's works
which were produced from Taishou era to the beginning of the Showa era
the work to imitate Michelangelo's fresco painting is spotlighted
to study his interpretation of the Bible.

author: Satoshi KOGANEZAWA 

published: Sep 30,2008

27/JUL/2008-30/NOV/2008
Hara Museum ARC
Kaikan Pavilion at Hara Museum ARC
opened for celebrating its 20th anniversary. The exhibition space was planed as a venue for the display of antiques as well as contemporary arts.

author: You GOSHIKI 

published: Sep 27,2008

01/JUL/2008-19/JUL/2008
SHINOBAZU GALLERY
Review of Junji Yamada's solo-exhibition in Shinobazu Gallery and Takashimaya
Nihonbashi. The innovative printing art by his original technique ""Intaglio on Photo"".

author: Mika TAKIGUCHI 

published: Sep 23,2008

26/MAR/2008-09/JUN/2008
The National Art Center
Tokyo
Were the for portraits of the woman in black clothes are the motif inspired with Modigliani's dream of building the temple of amusementModigliani?

author: You GOSHIKI 

published: Sep 22,2008

12/JUL/2008-06/SEP/2008
ARATANIURANO
The Super Capacitor is advocated as being vital to the provision of energy in future. However
its high price
in reality
prevents its public diffusion. Tadasu Takamine creates artworks on the theme.

author: Mika TAKIGUCHI 

published: Sep 22,2008

28/MAY/2008-28/JUL/2008
The National Art Center
Tokyo
Kngwarreye's dots and lines do not simply represent abstract forms of aboriginal nature. The relation between her concept of the life and the death and the works is discussed.

author: Satoshi KOGANEZAWA 

published: Sep 2,2008

24/JUN/2008-24/AUG/2008
Takasaki Tower Museum of Art
Review of Machida's exhibition at Takasaki Tower Museum of Art. The relation between the works and her local memory is studied.