Despite acquired consent, the historical process of revolutions pleases classicism. The average display of reign through lineage instead of public effectuation, builds on feudal and derisory reference points, and distracts assessment. Why articulate representation depending upon assumption? Why traditions? Is craftsmanship to be exercised as game of concealed social retrieve? In exploring the imagery of power and art history employing print as conceptual policy, the Underdog works intend to bribe their way through narrative, negotiating with traditionalist subject matter, and creating working documents that add to an archive initiated in 2007. * The text provided by youkobo ART SPACE.